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© 2019 Black Editions Group

Tracklist

 

A1. Every Last Coffee or Tea 11:00    
A2. C or T (verso) 03:03    
A3. Tetuzi Akiyama 03:57    

 

B1. I Was Real 16:55 

 

C1. WZN#3 (verso) 06:08    
C2. New New / Worm / Like Laundry Suite 09:45    

 

D1. There's No Such Thing as a King Bee 05:20    
D2. WZN#4 04:05    
D3. WZN#3 08:23

75 Dollar Bill Personnel


Rick Brown: plywood crate, hand and foot percussion, crude horns


Che Chen: 6 and 12-string and quarter-tone guitars, percussion

 

with
Sue Garner: guitar and bass guitar
Cheryl Kingan: alto and baritone saxophones
Andrew Lafkas: contrabass
Karen Waltuch: viola
Jim Pugliese: percussion
Barry Weisblat: signal processing, casio sk-1
Steven Maing: quarter-tone guitar
Carey Balch: hi-hat

Artwork: Che Chen
Additional Design: Rob Carmichael, SEEN Studio

TW-Q:  

75 Dollar Bill 

I WAS REAL

Deluxe Gatefold DoubleLP w/ Download

Housed in foil stamped, clothe wrapped tip-on jacket


Additional format: limited cassette edition

 

SKU: TW-Q, 2LP- $30, Cassette - $10

75 Dollar Bill is one of the essential groups at the heart of NYC's underground. Driven by the telepathic union of Che Chen's microtonal electric guitar and Rick Brown's odd metered percussion their long-form sound is unmistakable and compelling. On their third album I WAS REAL, the group expands in bold new directions, embracing brilliant fuller orchestrations, joyous rockers and entrancing new textures. I WAS REAL is a monumental signature work capturing the group at the peak of their powers.

Since the release of their second album, 2016's Wood Metal Plastic Pattern Rhythm Rock (Thin Wrist), 75 Dollar Bill has travelled and performed extensively- bringing their music to a wider audience and performing everywhere from sidewalks and intimate clubs to large concert halls and overseas festivals. The result of these journeys is their expansive new double album I WAS REAL. Requiring a variety of approaches, the album was recorded over nearly four years, in four different studios in a range of different ensemble configurations. The album features several “studio as instrument” constructions that harken back to the collage-experiments of the band’s early cassette tapes, while at the same time pointing to new territories altogether. The players involved highlight the “social” aspect of the band and the eight guests that appear on the record are some of the band’s closest friends and collaborators. While Che Chen and Rick Brown are always at the core of 75 Dollar Bill, the band is much like an extended family, changing shape for different music and different situations. Some pieces were conceived in the band's very early days and others are much newer, but the music is unmistakably 75 Dollar Bill. As Steve Gunn has written on their work: “Strings come in underneath Che Chen's supreme guitar tone. Rick Brown's trance percussion offers a guiding support with bass, strings, and horns supporting the melody. They have gathered all the moving parts perfectly.”