A1. once there was only dark
A2. grandchildren of the camps
B1. tomorrow is almost over
B2. above the black heavens is endless (for eno lai & lavinia axume)
Patrick Shiroishi: Tenor Saxophone, Effects & Voice
Recorded live at 2575 mission, Los Angeles, November 24, 2016.
Mixed and mastered by Felix Salazar
Co-produced by Patrick Shiroishi & Felix Salazar
Artwork by Rob SatoDesign by D. Norsen
Vinyl mastering by Pete Lyman, Infrasonic Sound
Pressed at Record Technology Inc. (RTI), Camarillo, CA.
Jackets Printed by Stoughton Printing, City of Industry, CA.
Related in the Black Editions Archives:
Artists Patrick Shiroishi and Rob Sato discuss the persistent relevance of America's WWII concentration camps
Deluxe LP w/ Download
Embossed Heavy Tip-On Jacket with Spot Colors, Spot UV.
Includes insert and download card. Pressed to high quality vinyl at RTI.
SKU: TW-O, LP- $20
Patrick Shiroishi’s Descension is a beautifully elegiac and unflinchingly primal album. With richly layered solo saxophone, electronics and voice, the album is a meditation on the legacy of a dark history and its echoing relevance in the present era. Descension is a spiritual journey that reveals Shiroishi’s deeply reflective and unique musical vision.
Over the past decade Shiroishi has established himself as one of the key artists in Los Angeles’s free improvisation and avant-garde undergrounds. An incredibly inventive and versatile player, Shiroishi has collaborated with everyone from epic post-rock maximalists Godspeed You! Black Emperor to Radu Malfatti, the Austrian composer who pioneered the ultra quiet reductionist school of improvisation. Shiroishi has also lead or been at the center of innumerable ensembles which currently include Danketsu 10, Borasisi, Nakata, Kogarashi; Komeshi Trio. His previous groups include in the Womb, Oort Smog, oxox, Hoboglyphs and Upsilon Acrux.
On his debut album for Thin Wrist Recordings and his first solo vinyl release, Shiroishi makes a deep examination of his own ancestral history. “In the fall of 2016 I started researching heavily into the concentration camps of Japanese-American citizens during World War II,” says Shiroishi. “My grandparents on my father’s side met and married in the camps at Tule Lake, a place my grandmother never spoke about to me when she was alive. As I began to dive deeper, it naturally began to sink into my improvisations and work.”
In the context of events that were unfurling in real time, Shiroishi’s work began to bridge the past with the present, using improvisation as the most immediate means of expression: “Everything on Descension was recorded in one take in the order that it appears” recalls Shiroishi. “I didn’t prepare any melodies or form prior to the session; I anticipated playing layers and layers of noise.The record is a representation of how I had been processing the horrors of the present…the sadness of the loss of life not only in the states but through the genocides in Sudan, Myanmar, Iraq and Syria, anger that migrant children are being separated from their parents and being held in concentration camps again, the frustration that times really are frighteningly similar to when my grandparents were growing up.” Rather than create any sort of literal or agitprop statement- Shiroishi’s work tapped into a timeless spiritual tradition of music - closer to those of artistic heroes such as Coltrane or Ayler.
Shiroishi felt it necessary that Descension’s artwork also reflect the same themes and history. “During this time of investigation, I would occasionally meet with Rob Sato, a Japanese-American artist who also had family in the camps. Realizing that we had a similar goal with how we wanted our work to reflect these times, Rob agreed to do the cover art for Descension.”
Synchronistically, Sato had at the time been working to illustrate what would become the acclaimed graphic novel “442” about the Japanese American segregated fighting regiment in WWII; A unit that would become the most decorated unit of its size and length of service in American history. His artwork for Descension, a series of evocative pictographs, rendered in embossed and spot gloss form for the printed jacket, further capture and deepen the spirit of Shiroishi’s work.
In prior limited cassette releases by such as “Tulean Dispatch,” named after the newspaper that was distributed at Tule Lake internment camp and “Sparrow’s Tongue” which contains sounds from the camps as well as a nuclear test explosion reversed and slowed down, Shirosihi has explored similar themes.
Descension is the culmination of this exploration, its approach is immediate and direct, the results are both hypnotic and startling. The album is an early career peak for an essential artist that continues to evolve and expand the scope of his already considerable artistic output.