

Tracks:
A1. Echoes In The Sky
A2. Dawning
A3. The Habit
A4. Sleep Valley
B1. Ripplemark
B2. 水の惑星 [Waterland]
B3. Gray Forest
B4. Berry
B5. It will be filled with birds singing someday
Credits
Go Hirano Piano, Pianica, Windchime, Percussion, Electronics, and Effects
Tracks A1, A2, A4, B1, B4 recorded live in October 2020 at Pianola Records, Tokyo
Piano Tuning and voicing by Emi Hatakeyama
Recorded by Makoto Oshiro
The remaining tracks were recorded in the late 1980's-2019 and remixed in 2019
All Songs written by Go Hirano
Mastered by Makoto Oshiro
Lacquers cut by Rashad Becker, Clunk Studio, Berlin
Pressed at Optimal Media, Germany
Artwork by Yukiko Ikeda
Front cover: "The Habit" 2020, Etching, 50cm x 45cm
Inner sleeve: "Beyond" 2023, Watercolor, 12cm x 12cm
Design by Rob Carmichael, SEEN
Produced by Peter Kolovos, Conatala & Rie Hirano
BE-1011 / conatala-005
Go Hirano
The Habit
Limited vinyl LP
RELEASE DATE: May 1st
Deluxe LP- $28
Vinyl edition housed in a gloss film laminated and uncoated tip-on jacket with metallic gold stamping and full color inner sleeve.
Please note: **We are NOT SHIPPING TO JAPAN**
Copies are available domestically in Japan at: conatala.bandcamp.com
For more than three decades, Go Hirano has developed a quietly enthralling sound world on the peripheries of the Japanese underground. Emerging in the 1990s, Hirano released three albums with the revered PSF Records label and established himself as an artist with a unique sense of melody and atmosphere that was both entrancing and intimate. His work, largely recorded at home and in the field, de-emphasized technical perfection in favor of an unvarnished immediacy that imbued the quiet moments of daily life with a dreamlike splendor.
On The Habit, Hirano brings together recordings that span decades of his playing the piano and other instruments on a daily basis. The core of the album was recorded in 2020 at Pianola Records in Tokyo, while other pieces draw from recordings dating as far back as the late 1980s. Through this span of years, a coherent vision emerges, marked by patient, subtle engagement with repetition, space, and resonance. Hirano works with a restrained palette—piano, pianica, wind chime, percussion, and synthesizer—to develop simple melodic figures that gradually shift in harmony and texture. Spacious piano chords expand through soft synthesizer tones. Near-imperceptible rhythmic frameworks intertwine with tranquil phrases that drift and merge with the sounds of the world around them.
This synthesis of music and the environment in which it is created is critical to Hirano's approach. Rather than isolating the music from its surroundings, he embraces the atmosphere of the moment, the room in which each piece is played, capturing the subtle sounds and artifacts of the artist’s daily experience and the surrounding natural world. For Hirano, these “imperfections” are pathways to vibrant, living expression.
While he may share affinities with Ryuichi Sakamoto, Hiroshi Yoshimura, and even Brian Eno, Hirano's dedication to “initial, unadorned expression” and processing the environment through his own particular filter sets him apart. The Habit reveals a meditative, melodic language unfolding over the decades and within the many spaces of a life in music marked by a unique warmth and beauty